When we hear about Suzane, we think of the young woman who claims, militates, denounces. Frail silhouette, red hair, short square, bangs, glamorous pin-up adornment style of the 20s. These are the images that come to mind. A style of her own. The blue jumpsuit she wears, the determined attitude, are reminiscent of a strong visual identity. As identifiable as its relevant texts. Moreover, we can say that Suzane took the stage by storm. Indeed, she quickly established herself as a flagship talent of the French electro scene. The artist's career looks like an incredible success story. Suzane releases a new clip, l'appart vide, reissued title of her first album Toï toï, released this year. However, this clip comes to redistribute the cards. The artist reveals a sensitivity, a fragility entirely new in his discography.
A dazzling journey
Suzane is one of these multidisciplinary artists, who combine several gifts, singing, dancing, which she has been practicing since the age of five, composition, writing… His pen hits like the punchlines of a rapper. The singer hits where it hurts. We see in her a talent as an author in the line of the most beautiful feathers of French song. It addresses the harsh themes of harassment, sexist violence, ecology…On electro music, which sometimes reminds us of Stromae's style, she links striking texts, contemporary choreographies and well-worked scenographies. A committed artist Feminist, ecologist, Suzane defends through her music the great causes that are close to her heart. Among these, the fight against homophobia to explain breaking heteronormativity, a subject on the sidelines of her new clip. Indeed, L'appart vide stands out from all the other visuals of the singer, approaching a short film.Dance is completely absent, while it holds a large place at the center of his music. Here, the bias is not to dance. Which is really amazing about this artist. So the signal is strong. Suzane abandons her iconic jumpsuit and shows herself in street clothes, sober, dressed in a white shirt. She leaves the character she embodies, for a moment, to show the woman, who hides behind the artist. Moving images, scenes where the only two characters in the story face each other, flee, brush against each other, hide are very eloquent … Suzane appears in a more vulnerable light, to the bittersweet rhythm of the breakup. The brown, dark, dark colors dominate like the story she tells. It seems obvious that Suzane still has a lot to reveal to us. The artist seems far from having shown the extent of his talent. It never ceases to surprise and challenge us. https://www.youtube.com/watch?v=SfdnaT5R1sA&feature=youtu.be
